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Trio consists of three motions and begins, as is not Symphony No.41 with the pump that "requires attention," that its special features of the work of chamber music for the stringed instrument. Music, which follows it seems predictable at first, but in the course of development division were proposed to glance into the soul of a musical genius. Modulation, on the decrease chromatic of lines and the excellent selection of tool houses to create the magic of the textures, where the light and shadow, pain and happiness are mixed up.
The second part, Andante Of Cantabile in F major, flows spaciously in 3/4 times intermix from time to time rapidly those being fluttering of passages. A sudden exclamation fort into unison disrupts the tone of complacency, and which it follows not expected harmoniously and texture that as a result daring and beautiful hauntingly.
Third motion merry "hunting" to be disposed to dances 6/8 meters. In contrast to the symphony this is not contrapuntal in the structure. Arpeggio figure by main theme is passed by all three tools. In the hands of Mozart, the Piano trio exceeds the scope of Haydn's model in the fact that the violoncello was given more attention. (Old style more it is similar on the keyboard of sonata from the violoncello the doubling of bass and violin, that decorate the right hand.) In Mozart's later piano trios, it created new textures, including the establishment of lines in comparison with the piano, all additions in interest and has created a dramatic nature pieces.
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